Political Disenchantment

Desencanto, autonomía y alteridad. De moléculas descreídas y museos post-traumáticos [Disenchantment, autonomy, and otherness. Of unbelieving molecules and post-traumatic museums].

Aesthetics / Poststructuralism / Postmodernism / Autonomy / Aesthetics and Politics / Disenchantment / Contemporary Aesthetics / Political Disenchantment / Disenchantment / Contemporary Aesthetics / Political Disenchantment

Utopía y desencanto en dos filmes cubanos de los 90. Molina’s Culpa (Jorge Molina, 1992) y La Ola (Enrique Álvarez, 1995).

Latin American Studies / Cuban Studies / Utopian Studies / Latin American literature / Latin American Cinema / Cuban Cinema / Cuban Revolution / Latin America / Disenchantment / Utopia/dystopia / Generacion Del Desencanto / Cine Latinoamericano / Media and Cultural Studies / Cultural Theory / Representation of the Political Violence / Political pilgrimage and Political Pilgrimage Cinema / Propaganda and Violence / Visual Anthropology / Cuban Culture. / Narrativa cubana contemporánea (periodo especial) / Latin American Cinema in the 1980s and 1990s / Political Disenchantment / Período Especial Cubano / Período Especial En Cuba / Utopian and Distopian Movies / Instituto Cubano de arte e industria cinemgatográficos (ICAIC) / Cuban Cinema / Cuban Revolution / Latin America / Disenchantment / Utopia/dystopia / Generacion Del Desencanto / Cine Latinoamericano / Media and Cultural Studies / Cultural Theory / Representation of the Political Violence / Political pilgrimage and Political Pilgrimage Cinema / Propaganda and Violence / Visual Anthropology / Cuban Culture. / Narrativa cubana contemporánea (periodo especial) / Latin American Cinema in the 1980s and 1990s / Political Disenchantment / Período Especial Cubano / Período Especial En Cuba / Utopian and Distopian Movies / Instituto Cubano de arte e industria cinemgatográficos (ICAIC)
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